|Posted on January 17, 2016 at 1:35 PM|
Now that we have seen beyond any reasonable doubt that this grid exists, it also makes sense that others would have known about it before. This would be especially true with the existence of an advanced technological society such as Atlantis or Lemuria. A whole new area of inquiry stems out of this, and it involves looking back to the past.
These lines and vortices have powerful effects on human consciousness as well as gravity, and are capable of causing time-space dilations and spontaneous shifts in spiritual consciousness. Now, we will see that the people who lived around them put a lot of energy into determining their precise locations. With the proper constructions in place, the energies of these lines could be harnessed and utilized directly for effects such as levitation and planetary balancing as well as experiments in human consciousness.
So if the Ancients were keeping track of these lines in any form, how would we know about it? The most obvious answer would be that they would mark them and build on them, in order to keep track of where they were. These marks and sacred constructions occur along what is commonly referred to in Europe as "ley lines."
The idea of "ley lines" throughout the European countryside is a very old one indeed, and there are hundreds, if not thousands of dolmens, menhirs, standing stones, earthworks and great stone circles in England, France and other areas, including Avebury and Stonehenge. What many people are not aware of is that these "ley lines" were also actually carved into the land itself.
Serious attempts were made those who were aware of these lines to make them easier to follow. In the huge field of ley line research, covered well in John Michell’s The View Over Atlantis and other works, we can see how ancient architects actually carved the lines as "dips" into the valleys and mountains so that you could sight them from far distances.
They also erected standing stones to mark their passage. Invariably, places of worship would be built on these lines, and they were also used for their fertility in planting crops. Alfred Watkins, the modern "discoverer" of these ley lines, was privy to a trance vision where he stood on a mountaintop and was actually able to see these lines as luminous energies crisscrossing the Earth.
According to an article by Joseph Jochmans in Atlantis Rising magazine (Issue 7, Spring 96) entitled "Earth: A Crystal Planet," the case for human mapping of ley lines goes far beyond just the English countryside.
In Ireland they are remembered as fairy paths, and in Germany as holy lines. The Greeks knew them as the Sacred Roads of Hermes, while the ancient Egyptians regarded them as the Pathways of Min.
The Chinese today still measure the Lung Mei or dragon currents which affect the balance of the land, as practiced through the ancient art of Feng-shui. Much in the same fashion as the application of acupuncture needles in Chinese medicine helps the flow of Chi or life force in the human body, so the placement of pagodas, stones, trees, temples and houses in the environment was regarded as a way to heal the Earth.
Jochmans goes on to describe "dream paths" followed by Australian aborigines, and "te lapa" being observed by Polynesians as "lines of light" in the ocean that could be used for navigation!
He then goes on to say the following:
[The Incan Empire organized itself into] wacas or sacred centers situated along ceque lines which all converged at the Coriconcha or Temple of the Sun in ancient Cuzco. Similarly, the Mayas of the Yucatan interconnected their pyramid-sancutaries by means of Sacbes or raised white roadways that were built in dead-straight segments through the jungle swamps.
We can also note here that in William Becker and Bethe Hagens’ article in Anti-Gravity and the World Grid, they make the comment that the Piri Reis map of 1513 has a series of lines that are practically identical to the current placement of the UVG 120 gridlines. In the book, they actually trace over the Piri Reis map to make this demonstration, and then take that portion of the grid and highlight it on the larger "Earth Star" grid as a whole.
We remember that this map and others like it had to have been drawn up at a time when Antarctica had no ice; and thus, it is obvious that these ancient Atlantean mapmakers were well aware of the same Grid that we have been looking at. In Jochmans’ article, it says that over 3,300 ancient sacred sites have been found along the lines of the Russians’ icosa-dodeca grid that we mentioned above.
Slightly later in the article, Jochmans mentions the Hopi Elders describing the Earth surface as being similar to the back of a spotted fawn.
As the fawn grows, the spots move and change number. Similarly, every time the Earth Mother sings a new song or enters a new vibrational shift, Her power centers also change to a new configuration, interconnected by a more complex sacred geometry.
Jochmans then describes the Buckminster Fuller-inspired experiments that we have already discussed, where a balloon submerged in dye and vibrated at certain frequencies will show distinctive "grid patterns." He then says,
When the frequency was turned higher the original dye points first quickly dissolved and then a greater number of dye points began to slowly form, joined by lines in a more complex configuration.
So, Jochmans is telling us that we can expect that the Grid itself to expand and metamorphose as a result of the higher-frequency planetary cycles that we are now involved with.
In this book, we have attempted to show in quite some detail exactly how these cycles operate. But if the Grid really does expand from one form of geometric order to another, how could we ever know about it? Is it possible that we could find proof for this as well? You bet!
Jochmans’ article is of vital interest to us, as he demonstrates unique pieces of evidence to suggest that the Earth has already made serious changes from one geometric form of organization to another.
A study of map projections and world-wide geological patterns conducted in 1976 by Athelsan Spilhaus, consultant for the National Oceanographic and Atmospheric Administration (NOM), revealed that when the super-continent Pangaea first broke apart approximately 220 million years ago forming the rudiments of our modern-day continental masses, the breakup occurred along equidistant lines forming the edges and points of a tetrahedron…
Based on the research of Hanshou Liu of the Goddard Space Flight Center, who analyzed stress lines in the Earth caused by polar and land movements over the last 200 million years, Spilhaus found that what was next outlined in the planetary structure was a combination cube and octahedron.
It is very interesting that this cube / octahedron shape, which is obviously many millions of years old, still appears to be in great use by the UFOs that we now see, according to Bruce Cathie.
Perhaps this Grid was plotted and designed from a realm outside of linear time, and this "historic" example was greatly studied and calibrated as a result. More importantly, the work of Spilhaus appears to be showing us that our planet gradually has been moving through areas of higher and higher "density" of harmonic energy. As these areas are moved through, the frequency of the Earth cannot be held back from expanding, and the Grid changes accordingly.
With the work of Gregg Braden and others that show us how much energetic stress the Earth is going through at this time, we have every reason to believe that this is going to happen again - and we will look at the time cycles involved in this when we move into Part Three.
At this point in the article, Jochmans discusses material that we have already presented here, regarding the team of Goncharov, Morozov and Makarov and their icosa-dodeca grid pattern; this could be construed as the next, or most recent formation of the Global Grid.
Jochmans’ list of the various planetary elements that this grid contacts is the best that this author has seen, and so we will repeat it here:
High and low barometric pressure areas in the Earth’s atmosphere, where storms originate and move along the crystal lattices.
The center-points for major ocean currents and whirlpools.
Areas of highest and lowest solar and electric influx, along with regions of highest and lowest geomagnetic gauss strength.
Points of magnetic / electric anomaly, which serve as gateways into other dimensions.
Major planetary fracture zones, where the tectonic plates come together and create seismic and volcanic activities.
Major concentrations of ores and petroleum.
Planetary hotspots where the internal magma surges closest to the surface.
Migration routes of land, air and sea creatures.
Locations of major life breeding grounds and genetic pool regions, where new species have originated.
Concentrations of human population centers, both past and present.
Birth-places for human religions, philosophies, sciences, arts and architectural forms.
It is important to note here that this material was printed in Atlantis Rising as an excerpt from Jochmans’ book, then still in progress, called The Earth Grid: Re-Discovering Gaia as a Living Evolving Energy Structure.
So, when we think about the power that these lines have, it becomes very clear to us that the effects on human consciousness can be profound and almost unbelievably fantastic. If you include the Bermuda Triangle/time shifting effects as well, then we can start to see that these sacred constructions may have actually served as time machines as well. Therefore, if you stay within the sacred structure at the proper moment of time, you might just be in for the ride of your life!
These feats of sacred engineering obviously would not be squandered, if they could be used for positive and spiritual effects. It is for this reason that the question of the French cathedrals such as Chartres is especially interesting. France was the home of the Mergovinian kings, a group that some authors claim to be the direct descendants of the bloodline of Jesus Christ.
Sir William Spencer, who tackled the question in Bloodline of the Holy Grail from his own access to the records of the Knight Templars, recently covered this enigmatic story. The famous book that most people are aware of concerning this subject is called Holy Blood, Holy Grail. From studying this material, it is clear that the Templars were another offshoot of the original Atlantean priesthoods and their secret knowledge, which was preserved down through the ages.
What we actually see is that the cathedrals themselves might have been a function of very "advanced" technology indeed.
There are many ways to see how this would have been possible. The stained glass windows in the cathedrals visually expressed the sacred ratios of phi and square root of two, as well as other forms of crystallized music, or sacred geometry. Lawlor’s book and many others make this point very clear, and we have an image of this on the next page - in this case, from the main stained glass window in the cathedral of Chartres, with added lines drawn in to indicate how it is connected to "sacred geometry."
The music that was played within the cathedrals was Gregorian Chant, which is very tonal and pure.
So, right away you are visually seeing a mandala to organize your visual centers into the sacred proportions, and hearing the sacred intervals in your ears as sound. Then, the actual structure of the cathedrals was sized in direct proportion to the measurements of the Great Pyramid of Giza!
This also might have helped to preserve the harmonic properties of the pyramid’s structure, as well as paying homage to,
"a complete set of records of sacred mathematics encased in stone."
Finally, the domed ceilings of the cathedrals directed the natural spirals of energy back downwards and into the gathering.
In The Law of One - Book Three, Ra discusses how there are many different examples of this type of energy harnessing being done, including the use of the teepee and the pyramids. Ra told Elkins et al. that these constructions will dramatically speed up an entity’s spiritual growth process as it uses them, and that it is therefore important to exercise extreme caution when experimenting with such structures.
The reason for caution is that the more personal issues one needs to "burn off" to further their spiritual growth process, the harder it would be for them to work in such a structure. The heightened energy that would come to them would make their "blockages" dissolve much quicker. In the long run, this is for the best, but in the short term it is very stressful - and this is exactly what the Solar Cycle that we will be discussing is doing to all of us right now.
Wilcock’s readings along with most others of similar quality will repeatedly address this point.
Another example of this sacred technology being put to use by various secret societies is in the construction of the United Nations Meditation Room.
This is written about in the very one-sided and Fundamentalist Christian-slanted book called The Cult of the All-Seeing Eye by Robert Keith Spenser, published in April 1964 by the Christian Book Club of America in California. The book takes ceaseless "pot-shots" at almost everything and everyone imaginable in the field of international government and metaphysics or esoterica.
For example, at one point they zero in on the gentle Thomas Sugrue, who wrote the well-known book There is a River, which exponentially increased Edgar Cayce’s popularity in the few remaining years prior to his death. Their attack was based on an esoteric symbol that he placed on the books in his library. Sugrue’s symbol was designed from his initials TS, the T being the "Tau Cross" and the S being the "serpent of wisdom," which to Spenser’s team could only mean the Devil!
Even though this book is alarmist, conspiratorial and fundamentalist, we actually can pick up some interesting information along the way. It is important to note here that we are not necessarily condoning all actions that have been apparently undertaken by secret societies throughout time. There are clearly going to be opposites in these groups, just as there are in people. (For example, Adam Weishaupt’s "Bavarian Illuminati" certainly appear to have all the hallmarks of highly self-serving or "evil" intentions.)
We feel that it would be foolish to simply make a blanket assumption that all secret society members in positions of power are part of some vast, evil conspiracy.
Remember that we briefly said that The People of the Secret by Ernest Scott focuses on the positive aspects of these groups, in their ongoing communication with Higher (or extraterrestrial) Intelligence to direct humankind towards greater spiritual awareness.
What we do see in All-Seeing Eye is specific data regarding a room that is built with all of the same harmonic specifications that we have just discussed in relation to the cathedrals. The simple existence of this room directly implies that the United Nations has maintained at least a fair portion of the knowledge of these secret traditions.
First of all, the Meditation Room has a very bizarre-looking mural within it, and in All-Seeing Eye they demonstrate that this has a great deal of ’sacred geometry’ and ancient symbolism in its construction.
The builders insisted that it did not have any specific symbolism, but Spenser paints a dark and foreboding image of a massive cult that seeks to subvert Christianity into a larger religious faith steeped in pagan traditions. This group committed the unpardonable sin of wanting to unify the spiritual beliefs of the world so that everyone could agree with each other.
So, let’s look at the picture of the room and its mural for starters:
The seats in the room are in the back, where the photograph was taken.
The room itself is built in the shape of a truncated pyramid, which is certainly a "sacred shape," as a function of Pyramidal geometry. This truncated pyramid shape was worked into the mural in several different places, as was the full pyramid with capstone as well. We can also see that the geometric form of the altar in the center of the room is preserved in the mural through rectangles that are of the same size and proportion.
The very geometric and colorful mural helps to organize the meditator’s visual centers with sacred geometry, just as we have seen with the Chartres image on the previous page. Music piped into the room helps to organize the meditator’s mind, again duplicating the effects in the cathedrals.
And last but not least, what is that big stone altar doing in the middle of the room? Surprisingly enough, it is a piece of naturally magnetic metal or magnetite, and is indeed the largest natural piece of magnetite ever mined. Even more interesting is the fact that its foundation goes straight into the bedrock of the Earth underneath the floor of the room.
(According to All-Seeing Eye, the lodestone was the largest of its kind ever mined, and was given to the United Nations by the Swedish in 1957. The public does not have access to the room underneath.)
If we look closely, we can see that the circle in the middle could be construed as the Earth, with its tilted axis clearly visible. What is then interesting is that once again we see a spiraling energy, this time in the diagonal line from the bottom right to the top left that has a snakelike curve in it.
And furthermore, there are three large rectangles that can be made out in the diagram, and they are undoubtedly in a spiraling pattern with relation to each other - one being left to right, one being diagonal and one being top to bottom. This does certainly look like the phi spiral is being implied herein. Other symbols are hidden within this mural as well, including the circle with a dot in the center, the astrological symbol for the Sun.
Obviously, the architects of the UN Meditation Room had this harmonic system down to a science. A minor grid line not visible on the Becker/Hagens map directly overlies Geneva, Switzerland, so that satisfies the global energetic location requirements. We have the proper room structure, the proper visual structure and the proper musical structure. We then have a gigantic piece of natural magnetite, which obviously has a tremendous magnetic field.
Why would the architects of the UN Meditation Room wish to import such an expensive material if it didn’t "do" anything? Wouldn’t it make a lot more sense that this magnetite actually helps to harness and enhance the natural spiraling magnetic Earth energies in the room?
In our next book, Convergence Book One, we will see that magnetism is the primary means to harness aetheric energy, just as we can see with the Earth’s magnetic field. We can definitely start to see that by those who know, this technology was indeed never "lost," only kept hidden.
By meditating in a room with a giant magnet in it, the natural hyperdimensional energies from the Earth are greatly enhanced. This certainly explains why the architects made sure that this "altar" had a foundation that went straight down into the bedrock of the land below. Who knows what remarkable functions of consciousness could occur in this room with a properly-tuned group of meditators at the proper time of the year?
We may not know the answer to this question, unless we can afford the trip to Switzerland to go and check it out for ourselves.
And now we come to the most interesting part of all of this - the famous All-Seeing Eye that is printed on the reverse side of every American dollar in circulation, as well as on the cover of this book in modified form. Thomas Jefferson, Benjamin Franklin and John Adams adopted this symbol after they were given the task of creating a seal for the United States of America on July 4, 1776.
A French West Indian portrait painter named Eugene Pierre Du Simitiere, who was commissioned by Thomas Jefferson, rendered the original design.
The All-Seeing Eye is unanimously agreed upon as being a "Masonic symbol." There are voluminous materials available to show that the founding fathers of the United States of America were all Masons. Freemasonry is a "fraternal order" that traces its origins far back into antiquity.
The work of Manly P. Hall covers the subject of Freemasonry quite considerably, especially in his incredible "encyclopedic overview" entitled The Secret Teachings of All Ages. Those who are familiar with this book, or with any of Hall’s work, should be well aware of the gigantic amount of information that is available on these and other "secret societies" throughout time.
An environment of such secrecy is perhaps the only way that such a daring American Revolution could have been organized in the first place. Many different sources point out that the Boston Tea Party was a Masonic-driven event.
This historical event protested against Britain’s tea tax, where a large group of men dressed as Native Americans boarded a British ship in the harbor and dumped out all of its onboard tea boxes into the ocean. In the Time-Life book Secret Societies from the Mysteries of the Unknown series, there is a reprint of a picture that someone had sketched of the Masonic meeting hall that night.
For some inexplicable reason, the building was empty, even though the scheduled meetings were normally kept with almost religious observance.
At the bottom of the sketch, the artist writes:
"We all went out for a cup of tea."
What is particularly interesting to us is the obvious connection between the All-Seeing Eye within the triangle and the basic form of the "consciousness units" that we have discussed so frequently.
If we look back at illustrations such as the Barbury Castle crop circle (right image), we can clearly see that the predominant design is a triangle with a dot in the middle. As we now know that this dot represents the One, or the Octave, we can understand why it would be given the symbol for Deity, or the All-Seeing Eye.
Now, if we look back to the United Nations Meditation Room mural, we can see that this same symbol was carefully and secretly encoded within it:
What we see in the image is that the central circle, divided into quarters to symbolize the four elements, is directly framed within a triangle.
Although this triangle is extended, the image is the same. Furthermore, when you continue the circular line to the left of the central circle as we have done, you can see that this forms a larger circle that precisely circumscribes the smaller one.
This is the classic astrological symbol for the Sun. By putting a line through the central circle on the exact same diagonal angle of tilt that is implied by the surrounding shapes, we can indeed see that it represents the Earth, tilted away from the Sun with one half illuminated with daylight. And then, to top it all off, we have the suggestion of a spiraling line that is at work on the central circle.
So, we can see that there is a definite reference to the circle within a triangle, the universal symbol for the "consciousness unit" that shows up in many different ways, including the crop circles. We can see that the mural implies a spiraling quality to these consciousness units, which we have now discussed in great detail. We can also see that the consciousness unit is also indicated as being the Earth.
So, this is obviously a symbolic construction, although the UN Review of 1958 simply referred to it as having been designed,
"to conform with the purity of line and color sought, for what Secretary General Dag Hammarskjold has called ’a room of stillness’."
Interestingly enough, the harmonic numbers that we have been studying are worked into its construction as well.
Spenser tells us that there are 72 geometric figures in the diagram altogether. 72 would obviously be half of 144, which we have now seen over and over again to be fundamentally related to both sound and light and the Great Solar Cycle - remember that there are 144,000 days in each baktun. The spiral in the diagram has nine sections, and this is also a fundamental number, the "building block" of the entire Gematrian system of frequencies.
So, if we look back to the symbol on the dollar bill, we can see that it is comprised of a truncated pyramid. Interestingly enough, if we count the blocks on the pyramid, we will discover that there are 72 of them altogether - again, the "cornerstone" frequency number.
The All-Seeing Eye and its positioning in the Great Seal refers to the symbolism inherent in the Great Pyramid’s construction, which we will read about in Chapter 20 when we discuss Peter Lemesurier’s epic work, The Great Pyramid Decoded.
According to this number series, the number "six" indicates preparation or incompleteness. The message of the Pyramid’s inner passageways has entirely to do with humanity’s motion through incompleteness towards spiritual perfection, completeness or Ascension. This is symbolically accomplished when the Pyramid is turned into a five-sided, instead of a six-sided object. This is done quite simply, as the Pyramid as it now stands has a flat top, which makes it a six-sided object.
When the capstone is put back in place, it becomes a five-sided object, and five indicates perfection and initiation.
So, what we have here is a symbolic glyph for the instreaming fourth-dimensional energy used as the "capstone" for a Pyramid with 72 blocks! It is actually a quite ingenuous symbol when you really think about all the information that it contains.
Clearly, the sum total of knowledge that could be achieved from a continent such as Atlantis is indeed vast. We have seen evidence that much of this knowledge has been passed down age after age. The work of de Santillana and von Dechend, as we will see in Part Three, shows us that in almost every culture in the world, a "flood myth" exists which preserves all of the crucial "frequency numbers" responsible for the Earth’s wobble, known as precession - a number that is of fundamental importance to us.
The standard "precessional number" of 25,920 years is also a Gematrian number, an expression of the same frequencies we have been discussing as the speed of sound vibrations per second in our atmosphere. (It reduces to 2592, which is a higher harmonic of the same octave-based number set.)
When we look to the Maya, we can see a culture that might very well have preserved a great deal of Atlantean knowledge over time. Nowhere is this more apparent than in their amazing preservation of a system of precise data regarding Sunspot cycles.
The work of Maurice Cotterell will give us the hard science to back up the Mayan numbers.
So, when we learn from Mayan codices that their Calendar cycles chart the beginnings and endings of ages, the pieces do indeed start fitting together very nicely. The Maya had a system of mathematics so exact that we are still trying to catch up to them today, and figure out exactly how they came about all of this information.
Now that we are looking at the data regarding the Great Seal of the United States, we must ask if it is possible that the knowledge of this same Great Cycle was preserved throughout the Western civilization and its secret societies. If this were so, we might better understand why the Pyramid symbol was placed on the Great Seal of the United States.
What we can see is that this Pyramid eloquently combines the "frequency number" of 72 with the diagram of the "consciousness unit" of the upcoming fourth dimension, also seen in the Barbury Castle crop circle of 1991 and many hundreds of others. And finally, we have the clear-cut metaphor of the re-establishment of the Pyramid’s capstone, which symbolically refers to the Ascension of the human species.
It is very interesting to point out here that the Egyptian Board of Antiquities, spearheaded by the efforts of Dr. Zahi Hawass, has now said that they will place a golden capstone on the Great Pyramid on the night of Dec. 31, 1999. Even though most people don’t really understand the symbolism of this, we can certainly see it now. This piece of information makes an even greater case for the knowledge within the secret circles that we are at the end of our present age, and ready for Ascension or a hyperdimensional shift.
So, if the Great Seal’s symbolism is not a coincidence and the American founding fathers did indeed have this knowledge, there should be some other glaring clues.
One of these clues is in the pattern of stars above the Eagle in the obverse side of the Seal. If we look closely at this pattern, we can indeed see that it is fashioned as the Star of David. And, we have already seen how the Star of David is a two-dimensional diagram of the star tetrahedron within a sphere, the energetics of the Fourth Dimension. We are also told in All-Seeing Eye that the national bird for the US was not originally the Eagle, but the Phoenix, symbolizing the death of the old and the rebirth of the new.
And that is certainly not all. Almost everyone has seen the Latin words that surround the symbol of the Great Pyramid on the dollar, but very few actually understand what they mean.
The words are "Annuit Coeptis" and "Novus Ordo Seclorum."
Both of these are quotations from Virgil, a Greek mystic and philosopher. The first statement, "Annuit Coeptis," means "He [God] has looked with favor upon our beginnings." We can see the physical counterpart of this in the foundation of the United States being "spiritually blessed," but we can also see a larger, more metaphysical explanation that would have to do with the origin of humanity as a whole, as a Divine species.
But now, let’s look at the bottom portion: "Novus Ordo Seclorum."
The meaning of this phrase is given to us in Spenser’s book through a quote from C.A.L. Totten, a 1st Lieutenant in the 4th artillery of the U. S. Army, who communicated his views on the seal to Charles J. Folger, Secretary of the Treasury, on February 10, 1882:
The All-Seeing Eye is one of the oldest hieroglyphics of the Deity. The triangle also is a cabalistic symbol of the most remote antiquity…
The descent of the mystic eye and triangle in the form of a capstone to this mysterious monument [the Great Pyramid of Gizeh] of all times and nations, is to us as a people most pregnant with significance. The motto, Novus Ordo Seclorum, is a quotation from the 4th Eclogue and was borrowed in turn by Virgil from the mystic Sybylline records.
The entire quotation is as follows: ’The last age of Cumaen song now comes. (Novus Ordo Seclorum altered from Magnus Soeclorum ordo), A mighty order of ages is born anew. Both the prophetic Virgin and Saturnian kingdoms now return. Now a new progeny is let down from the lofty heavens. Favor, chaste Lucina, the boy soon to be born in whom the iron age shall come to an end, and the golden one shall arise again in the whole earth’.
This passage is indeed quite revealing.
What we learn is that "Novus Ordo Seclorum" does not mean "New World Order" as many conspiracy theorists would claim, but actually "A mighty order of ages is born anew."
When we think of a mighty order of ages, we immediately think of the precessional cycle, comprising of the 2,160-year ages of the Zodiac. Then, if we think of this "mighty order of ages" as being "born anew," we could well expect that this would be signified by the ending of the entire cycle, which we are making a very strong argument here as being related to Ascension, or the Shift of the Ages.
But does this statement from the 4th Eclogue and Virgil back up the idea of such a shift?
The last age… now comes. A mighty order of ages is born anew… Now a new progeny is let down from the lofty heavens.
Exactly what is this new progeny? A new life, a rebirth, an entire group of Ascended human beings? It certainly would appear to be that way, in the same sense that the Cayce Readings said that we are about to form the fifth "root race."
We then go on to read the statement,
The boy soon to be born in whom the iron age shall come to an end, and the golden one shall arise again in the whole earth.
Since we could certainly argue that we are still in an "age of iron" and machines even now, it is not hard to see that this passage refers to the end of our own age and the beginning of the New Age, an age of light or "enlightenment."
Furthermore, the fourth-density souls are indicated here as looking "golden." There are numerous spiritual sources that attest to the fact that this is indeed how an Ascended being would look, the most obvious being the Bible indicating the appearance of the ascended Christ.
Now, with a source of guidance such as the Cayce Readings, we can see a comprehensive study of the true meaning of the Christ Spirit, which is that Divine spark within each person. The Second Coming of Christ is actually the rebirth of this Christ Self within each individual entity, and the Shift of the Ages represents the "completion" of the same curriculum that Jesus patterned for us.
So, this notion of the "golden one" arising in the whole earth certainly could be an Ascension metaphor.
Perhaps what is even more interesting is that this passage suggests that extraterrestrial forces are involved in all of this as well.
"Both the prophetic Virgin and Saturnian kingdoms now return."
We are told in Spenser’s book that Saturn was the father of Osiris, and that the All-Seeing Eye is the symbol of Osiris. As this was the highest god in the Egyptian pantheon, we can certainly wonder if there might be an extra-terrestrial connection to all of this.